The image displays the text Short Films Program 2 above a black silhouette of a stylized figure reaching towards a coiled film strip and several film reels.

SHORT FILMS PROGRAM 2


A man with a serious expression holds a rifle in a barren desert environment under a clear blue sky.

HYPERBURN

Directed By: Travis DuBridge, 12 minutes

In a scorched, post-apocalyptic wasteland, a reluctant hero awakens to find an AI companion freshly implanted in his brain and an impossible mission ahead of him. Together they set out across an endless, soul-crushing desert—first to locate his scattered team, then to survive the maddening boredom of infinite sand, and finally to face a formidable adversary who stands between them and survival. 

The profile of a thoughtful young boy, resting his chin on his hand, is seen against a dark, blurred background featuring two glowing lights.

Stronghold

Directed By: Meghann Artes, 16 minutes.

When a struggling group home closes, house mother Fran arranges placements for all her boys except Leo, whose mother Shelly fails to arrive. Before reuniting with her own daughter, Fran must find Shelly and confront the challenges of foster care. Their meeting results in choices that change both women’s lives—and Leo’s—forever.

A bearded man in a dark shirt and jeans sits on a bed, holding a gray cat, with pictures and shelves decorating the light blue wall behind him.

Just a Cat

Directed By: Benett Holgerson, 15 minutes

When a grieving father inherits his late daughter’s cat, he wants nothing to do with the stubborn, demanding creature that has invaded his quiet life. But as the days pass and the cat refuses to be ignored, an unexpected bond begins to form between the reluctant caretaker and his unwanted companion. 

A woman wearing a shiny hooded garment extends both hands forward with a direct gaze, illuminated by vibrant red and purple light against a dark, smoky backdrop.

Screen-Play

Directed By: Brian Walczybock, 6 minutes

Two fierce competitors square off in an electrifying showdown to prove once and for all who is the superior fighter. As tension mounts and egos collide, what begins as a simple contest escalates into something far more personal. 

A young man sits amidst an elaborate structure made of stacked tomato soup cans, intently smelling a single can.

Tomato Soup

Directed By: Brendan Michael Conant, 20 minutes

Dodd has just signed his ticket out of town – a professional baseball contract that promises a new life far from the place he has always called home. But on his final night before leaving, saying goodbye proves far more difficult than he ever imagined, as every familiar face and well-worn street corner begs him to stay. 

A man and woman embrace with their foreheads touching and eyes closed, standing within a large, out of focus indoor environment.

Love & Kindness

Directed By: Michael McCallum, 6 minutes

Two people drawn irresistibly to each other find themselves paralyzed by the impossibility of making the first move. Caught in the agonizing space between longing and silence, an unlikely catalyst arrives in the form of a comic book that says all the things they cannot. 

A young man wearing a grey shirt with colorful text stands in a kitchen, looking at his phone, as a bowl of colorful cereal, a bag of cereal, milk, and orange juice sit on the counter.

Left on Read

Directed By: Jake Cross, 11 minutes

Adam is captivated by the girl of his dreams and musters the courage to pursue a relationship with her. But when he sends a message and awaits her reply, anticipation quickly turns to obsession. Glued to his phone and consumed by the flickering promise of a notification, Adam begins to lose his grip on the world around him. As hours stretch into an agonizing eternity, the line between devotion and fixation blurs in this sharp, modern parable about connection in the digital age.

A woman wearing a yellow cardigan and blue jeans sits on a wooden deck, gazing towards a young boy in a striped shirt who is looking down in the blurry foreground, with stairs visible behind them.

Pere Marquette

Directed By: Clayton Brown, 24 minutes

Sonia returns to her family’s country house with a singular purpose: to sell the property and leave behind the nearby train tracks where her deaf son David died. But instead of the closure she desperately seeks, her nights become haunted by vivid, unsettling dreams in which David is still alive—beckoning from the woods, leading her toward the tracks, always just beyond her reach. With each encounter the visions grow more insistent, eroding the boundary between dream and waking life, memory and haunting.

Showtimes

Sunday, March 1, 3:30 pm, Studio C