The image displays the text Short Films Program 3 above a stylized black silhouette of a character interacting with an unspooled film strip and reels on a white background.

SHORT FILMS PROGRAM 3


A figure resembling a ghost, covered in a white sheet with dark eyeholes, sits on an ornate golden chair amidst blurred dark surroundings.

Lightly Ghosted

Directed By: Garrett Sammons, 10 minutes

A contented ghost spends his days stirring tea in peaceful oblivion, blissfully unaware that he has shuffled off this mortal coil. His tranquil afterlife is thrown into chaos when two young paranormal investigators—one a true believer, the other a shameless fraud—accidentally tear the veil between their worlds. Told through cleverly colliding parallel timelines, this lighthearted spectral comedy delights in asking the ultimate question: who’s really haunting whom?

A woman in a striped shirt holds a younger person in a headlock as they grimace.

Divide

Directed By: Rani Deighe Crowe, 10 minutes

In the wake of their mother’s passing, two estranged siblings with sharply opposing political views reluctantly reunite to clean out the family home. What begins as a tentative reconnection quickly unravels when a dispute over a sentimental heirloom reignites years of unresolved childhood wounds. As old grievances collide with deep-seated ideological differences, the siblings must confront the painful question of whether the divide between them has grown too wide to ever bridge.

A doll in a blue dress and pink cape stands beside a large colorful globe, with smaller globes and shelves displaying chess pieces visible in the museum like background.

Gaia and the King: an Eco-Fable

Directed By: Laura Lewis-Barr, 5 minutes

In this enchanting animated fable, Gaia—the living spirit of the Earth—seeks an audience with a powerful and stubborn King whose actions threaten the natural world. Through wit, wonder, and timeless wisdom, she endeavors to teach him a lesson that could change the fate of the planet. Whimsical yet urgent, this short eco-fable reminds audiences of all ages that the earth’s greatest lessons often come from its quietest voices.

Three people sit around a table laden with breakfast foods, their heads bowed and hands clasped in what appears to be a moment of prayer.

Shoot, Shovel and Shut Up

Directed By: Trần Hoàng Calvin, 15 minutes

The Clifford family pins all their hopes on selling their dilapidated, impoverished farm and starting fresh somewhere new. But when the discovery of an endangered bird on the property threatens to collapse the entire sale, young Andy faces an impossible moral dilemma. He must choose between protecting a fragile life and saving his family’s future—a choice distilled into three grim words: shoot, shovel, and shut up.

A movie poster features a smiling bride and groom walking hand in hand through a grassy park while guests throw white particles in celebration, all beneath the prominent title Stories Retold and a block of production credits.

Stories Retold

Directed By: Scott Berry, 11 minutes

The intertwined threads of love, memory, and loss are woven together into a deeply moving tapestry of human experience. As the past and present collide, familiar stories take on new meaning when viewed through the lens of what has been gained—and what can never be recovered. 

A man in sunglasses drinks from a cup as he stands behind a blonde person in a CHOO CHOO sailor hat, both looking out from a grassy foreground with a utility pole in the background.

A Boy Named Choo Choo

Directed By: Ethan Williams, 15 minutes

In a bleak, dystopian world where human beings are reduced to fleshy currency, a boy known only as Choo Choo serves as a living transit system, ferrying passengers through a nightmarish landscape. When his handler steals his meager savings, Choo Choo is pushed to the breaking point and sets out on a dark path toward revenge. Shot in striking black and white, this surreal and unflinching short film plumbs the depths of exploitation, grief, and lost innocence in a world stripped bare of its humanity.

A framed picture displays the word Paint artfully drawn in red, blue, and yellow on a dark background, with a plaque beneath crediting Angeline Ameloot, Jessica Angeline Ameloot, and Becky Janel Moslmoni as creators.

Paint

Directed By: Angeline Ameloot, 2 minutes

Two paintings hanging side by side in a museum come to life in a spirited debate about the visitors who parade past them each day. With sharp wit and clashing perspectives, the canvases offer a whimsical commentary on art, perception, and the absurdity of being endlessly observed. 

A bearded man in a dark cardigan looks intently forward from a bar setting, with another person blurred in the foreground and a monitor and sign visible in the background.

The Ballad of the Man Who Once Was

Directed By: Sebastian Rivera-Mendoza, 6 minutes

After a grueling day beneath the hoods of cars, auto repairman Arturo settles into a quiet bar to enjoy a well-earned glass of beer. He strikes up an easy conversation with a fellow patron named Manny, and for a brief, warm moment the two men trade stories about their lives. But their newfound camaraderie is violently cut short when an uninvited force of darkness steps through the door, shattering the evening’s calm and forever altering Arturo’s world.

A persons face is illuminated with vibrant blue, green, and purple light against a dark background, looking directly forward.

SELF

Directed By: Mo T, 6 minutes

A young, insecure teenage girl stands before her reflection, searching for something she cannot quite name. But the longer she gazes into the mirror, the more the image staring back begins to shift, revealing truths she has tried desperately to suppress. 

A young man with curly brown hair and blue eyes smiles warmly while looking up, as another persons hand gently rests on his shoulder.

Parlay

Directed By: Chris Luongo, 4 minutes

A gambling addict finds himself spiraling deeper into obsession as mainstream sports no longer satisfy his insatiable need for a fix. Driven to increasingly obscure and absurd competitions, each new bet raises the stakes—and the desperation. 

The grainy image features a close up of a mans face with a mustache, his expression pensive as one side is bathed in warm orange light and the other in shadow.

The Cut

Directed By: Jeremy Brockman, 27 minutes

When a troubled military veteran returns to his hometown determined to mend the broken bond with his estranged brother, he expects the hardest battle will be earning forgiveness. But an unforeseen challenge emerges that threatens to derail his fragile journey toward healing before it has truly begun. This emotionally charged drama explores the invisible wounds of service and the stubborn hope that family can still be the thing that saves us.

Showtimes

Sunday, March 1, 6:00 pm, Studio C