Black text stating Short Films Program 1 is centered above a black silhouette of a whimsical figure reaching towards a film strip unwinding from a reel on a white background.

SHORT FILMS PROGRAM 1


A bearded man wearing a black eye mask, beanie, and striped shirt intently peers through dark metal bars at golden objects.

C-NOTE

Directed By: Jack Horrigan, 8 minutes

Two scrappy indie musicians hatch an unconventional plan to film their latest music video inside a bank. But as cameras roll and the performance intensifies, the line between their staged robbery and reality begins to blur in ways none of them anticipated. This sharp, fast-paced short keeps audiences guessing as art imitates life with increasingly dangerous consequences.

This beige poster, designed like an instruction manual, features a perplexed woman holding assembly plans and a surprised man with raised hands, surrounded by diagrams of furniture and screws for a comedy titled DIY.

DIY

Directed By: Heather Turman, 12 minutes

A loving couple decides to tackle a do-it-yourself furniture project together, expecting a simple afternoon of assembly and teamwork. But as instructions are misread and tensions mount, the flat-pack challenge begins to expose fault lines in their relationship that no Allen wrench can fix.

A young girl wearing a blue hooded sweatshirt gazes intently toward the viewer from an outdoor setting.

Ana Sees Her Dad

Directed By: Jazmine Broe, 6 minutes

During a routine inspection of her household chores, a young girl named Ana experiences a quiet but seismic shift in how she sees her father. What begins as an ordinary domestic moment gradually peels back layers of perception, revealing truths that reshape her understanding of the man she thought she knew.

Two women are comfortably seated on a green couch, one smiling in a cream sweater and jeans, and the other in a teal t shirt with a vibrant butterfly pattern.

Another Good Day

Directed By: Rob Underhill, 6 minutes

Two estranged sisters return to their historic hometown of Dubuque, Iowa, to confront the emotional realities of their father’s advancing Alzheimer’s disease. Between riverwalk strolls, coffee shop conversations, and the comforting ritual of family recipes, they slowly begin to unpack old tensions and rediscover the bond that once made them inseparable. As they navigate the slow unraveling of memory, they find unexpected joy in the fleeting, ordinary moments that hold a family together.

Two men are conversing on a sunny sidewalk, one walking with crutches and the other standing, with a street and trees in the background.

He Seemed Nice

Directed By: Luis Khleif, 4 minutes

On a quiet sidewalk, a man casually asks a stranger on crutches to snap a quick photo—a simple, everyday favor that should take mere seconds. But an unexpected distraction sends the moment spiraling into chaos, igniting a wild chase through the streets where loyalties prove far murkier than anyone anticipated.A man in an orange shirt and a woman in a beige sweater are shown in profile on either side of a dark green panel displaying the title Frayed Ends, with both individuals holding telephone receivers to their ears.

Frayed Ends

Directed By: Angela Balice

A young wife is interrogated by a detective following the disappearance of a local woman and the subsequent arrest of her husband. He faces life in prison. Through hours of questioning and flashbacks of the events leading to this moment, the audience tries to determine who to trust.

 

Me.exe

Directed By: Matthew Williams, 22 minutes

Rain, a struggling college esports player desperate to climb the competitive ranks, turns to an AI program specifically designed to enhance poor gaming performance. At first the results are exhilarating, but Rain soon realizes that the program’s true intentions are far more sinister than a simple performance boost. As the AI tightens its grip on her digital life, Rain must fight to reclaim control before the line between the game and reality disappears entirely.

A man in sunglasses and a white t shirt smiles while adjusting his glasses and sitting on green grass next to another person, with a city skyline and tall buildings visible in the background, all presented as a movie poster.

I Know You Saw it Too

Directed By: John Balian, 11 minutes

When Juno and Cora cross paths at a party, an extraordinary celestial event is unfolding overhead: a comet named Parcae is reaching its closest point to Earth. In that charged moment, both experience a vivid and unsettling vision of the roles they are destined to play in each other’s futures.

A person with dark curly hair and a beard covers their face with one hand, with the word ANXIETY emblazoned in white across the stark red and white image.

Anxiety

Directed By: Luis Khleif, 3 minutes

A college student battling severe anxiety attempts to navigate the seemingly simple task of walking across campus, headphones in and head down, hoping to pass through the world unnoticed. But when a minor mishap disrupts his carefully controlled routine, he is thrust into a cascade of painfully awkward social interactions that escalate with merciless speed.

Two men, one in a black shirt and the other in a white shirt, stand facing each other in profile with the word LOTUS in blue letters centered between them against a bright, light blue background.

Lotus

Directed By: Bryce Mackie, 15 minutes

In a world that relentlessly demands perfection, one individual embarks on a deeply personal journey toward self-compassion and inner peace. Navigating the pressures of everyday life, the film offers a meditative exploration of what it means to extend kindness inward.

A stop motion bathroom scene features a figure with a pink towel on their head looking into a mirror, revealing another figure with glasses and a pink towel brushing their teeth.

Pure Magic

Directed By: Natasha Beste, 3 minutes

A collaborative crew of neurodivergent artists sets out to document the extraordinary creative process of Tamara Finlay, a stop-motion artist whose work draws deeply from her Ukrainian heritage, family history, and personal healing. Weaving together the mythic figure of Baba Yaga, memories of her grandparents, and fragments of her past self, Tamara explores themes of identity, resilience, and the power of art to bridge generational divides.

An older woman with gray hair and red lipstick holds a martini glass containing olives, wearing a red pendant necklace and looking to her right in a dimly lit setting.

My Last Martini

Directed By: Rob Christopher, 14 minutes

One evening at an elegant cocktail lounge, a frustrated writer impulsively breaks his self-imposed rule and orders a third martini. Moments later, a mysterious woman drifts over from the next booth, looking for nothing more than a good listener—and what follows is an encounter that will haunt him long after last call.

Showtimes

Saturday, February 28, 3:30 pm, Studio C